Homily II on Saint Lazarus · §2

The Resurrection of Lazarus

The body is formed gradually, with veins and arteries developing, along with marrow, membranes, and hairs.

The body is constructed slowly, with each limb being formed by the power of the word.

Just as a horse is formed from various components, the dead man, awakened by the voice of the master, is called, formed, and appears from the tomb.

The command to Lazarus is clear: 'Lazarus, come out' (John 11:43).

Before saying 'arise', he commands the exit.

First, Lord, raise him, and then, having arisen, command him to run.

The one lying down is still being hastened to run, a remarkable transformation.

Why do you proclaim the exit to the one lying down before the resurrection?

He says, 'Yes, to the one lying down, I command the run, so that I may not, having been occupied with the dead for two things, delay the exit. I say to him: 'Come out', so that he may run more quickly, having taken one deadline for both resurrection and run.'

Immediately, Lazarus jumps out of the tomb, as if he were a guardian rather than a dead man.

Hades below, as it seems, gives back the dead man and cries out in response.

Hades asks who this is who, with his voice, awakens the dead from their tombs as if they were sleeping.

Hades asks who loosens the old laws of the dead.

Hades is provoked to raise his dead.

Hades asks who proclaims a return to the dead.

Hades sees his scepter of tyranny over humans being taken away, as he sees.

Hades acknowledges that his prison of death is rotten.

Hades recalls that Elijah took one of his dead away for the sake of a woman (1 Kings 17:22-24).

Hades notes that after Elijah, Elisha came and also snatched away some of his dead (2 Kings 4:32-37).

Hades finds that this one is more bitter to him than the dead, having campaigned as a helper, calling the dead who have been buried as if they were living.

Hades has been robbed of a dead person whom he had buried.

The four-day-old body triumphs over Hades, with the funeral clothes dancing together with the living.

Hades fears that he will be trampled afterwards, with the swaddling clothes of the dead person who has escaped alongside himhim.

Hades wonders who will frighten him, now that he has been conquered by the dead person and has become like a guardian of the dead.

Hades sees Lazarus as a kind of deposit of the tomb, like gold given with seals.

Lazarus was bound with bands and placed with the tomb, but with the same bonds, he was given back to life.

The Jewish crowd was unbelieving and doubtful towards the great wonder-working, even now…

The passage begins and ends mid-sentence, with the original text being a fragment.

Greek

φλεψὶν ἀρτηρίαι, μυελὸς ἀνεπλάτ τετο, ὑμένες ὑφαίνοντο, εὐθετίζοντο τρίχες. 4 Βραδὺν τῷ λόγῳ τῶν μελῶν κατεσκεύαζον τὸν δρόμον. Ὥσπερ ἐκ συνθέματος ἵππος, οὕτως ἐκ τῆς τοῦ δεσπότου φωνῆς νυσσόμενος ὁ νεκρὸς ἀνεπήδα ὁμοῦ καὶ κληθεὶς καὶ πλασθεὶς καὶ φανεὶς ἐκ τοῦ μνήματος. «Λάζαρε, δεῦρο ἔξω.» Πρὶν εἰπεῖν «ἀνάστηθι», προστάττει τὴν ἔξοδον. Κείμενον ἔτι κατεπείγει πρὸς δρόμον. Ἀνάστησον πρῶτον, δέσποτα, εἶθ' οὕτως ἀναστάντι τὸ τρέχειν ἐπίταξον. Τί πρὸ τῆς ἀναστάσεως ἔξοδον τῷ κειμένῳ κηρύττεις; – «Ναὶ κειμένῳ», φησίν, 1 «ἐπιτάττω τὸν δρόμον, ἵνα μὴ πρὸς δύο τὸν νεκρὸν ἀσχολήσας χρονοτριβήσω τὴν ἔξοδον. Λέγω πρὸς αὐτόν· "3∆εῦρο ἔξω"3, ἵν' ὀξύτερον δράμῃ, ἐγέρσεως καὶ δρόμου μίαν λαβὼν προθεσμίαν.» Εὐθέως δὲ ἐντεῦθεν ὑπόπτερος Λάζαρος ἐξεπήδα τοῦ μνήματος, ὡς φύλαξ μᾶλλον ἢ νεκρὸς τῷ τάφῳ παρακαθήμενος. 5 Ὁ ᾅδης δὲ κάτω τὸν νεκρὸν ὡς ἔοικεν ἀποδιδοὺς ἐβόα· «Τίς οὗτος ὁ φωνῇ τοὺς νεκροὺς ἐκ τῶν τάφων ὡς ὑπνοῦντας ἐγείρων; Τίς οὗτος ὁ νόμους τεθνεώτων παλαιοὺς παραλύων; Τίς οὗτος ὁ κατεξανίστασθαί μου τοὺς νεκροὺς ἐρεθίζων; Τίς οὗτος ὁ κήρυγμα προθεὶς τοῖς νεκροῖς ἐπανόδου; Τίς οὗτος ὁ πρὸς ζωὴν ἀνατρέχειν τοὺς ταφέντας ἐθίζων; Τίς οὗτος ὁ τοὺς ἐμοὺς δεσμώτας οὕτως εὐχερῶς ἀπολύων; Τίς οὗτος ὁ τοὺς νεκρούς μου ἅπαντας ἀποσπῶν εἰς χορείαν; Οἴχεταί μου τῆς κατὰ τῶν ἀνθρώπων τυραννίδος, ὡς ὁρῶ, τὸ σκῆπτρον. Σαθρόν μου τὸ τοῦ θανάτου δεσμωτήριον. Ἀπῆλθεν Ἠλίας νεκρόν μου πρὸς χάριν γυναικὸς ἀφελόμενος. Μετὰ Ἠλίαν ἐπελθὼν Ἐλισαῖος ἅρπαξ μοι νεκρῶν κατεσκευάσθη διπλοῦς. Νῦν πικρότερος οὗτος ὑπὲρ τῶν νεκρῶν μοι βοηθὸς ἐπεστράτευσεν, καλῶν ὡς ζῶντας τοὺς σεσηπότας νεκρούς, καὶ κινδυνεύω λοιπὸν μηδὲ σαπέντων ἐξουσιάζων νεκρῶν· σεσύλημαι γὰρ νεκρὸν ὃν ἀνήλωσα. Θριαμβεύει με τετραήμερον σῶμα, μετὰ τῆς ἐνταφίου τοῖς ζῶσι συγχορεῦον ἐσθῆτος. Πατηθήσομαι λοιπόν, μετὰ σπαργάνων παρ' ἐμοῦ νεκροῦ δραπετεύσαντος. Τίς γάρ με τοῦ λοιποῦ δειλιάσει τὸν παρὰ σαπέντος νεκροῦ νενικημένον καὶ ὡς παρακαταθηκῶν τινων φύλακα τῶν νεκρῶν γεγονότα;» 6. Παρακαταθήκη γάρ τις τοῦ μνήματος Λάζαρος ὥσπερ χρυσὸς μεθ' ὧν παρετέθη σφραγίδων ἀποδιδόμενος· δεδεμένος κει ρίαις παρετέθη τῷ μνήματι, μετὰ τῶν αὐτῶν αὖθις δεσμῶν τῷ βίῳ ἀπεδίδοτο. Ἄπιστος γὰρ ὢν τῶν Ἰουδαίων ὁ δῆμος καὶ πρὸς τὴν τῶν θαυμάτων μεγαλουργίαν ἀμφίβολος, εἶπον ἂν ἐπὶ Λαζάρῳ καὶ νῦν

About this text

Hesychius of Jerusalem, Homilia ii in sanctum Lazarum (Greek).

Original English Translation of Hesychius of Jerusalem’s Homilia ii in sanctum Lazarum — new OET from PG 93 Greek.

Catalogue & scope

Khazarzar scan

Witnesses

  • Copy-text PG 93 (Khazarzar) (Greek)

This is an AI-assisted study translation. Source fidelity and completeness have not been independently certified. Open Greek on each section for the source text. This is not a complete critical edition.