Commentary on Ecclesiastes · §57

Mockery of Zion and the Willow

concerning the judgment: for we anticipate them being raised, not being judged, even if it happens at once. As I have often said, that the body and the color are at once. It is not possible to say one before the other; for the body is anticipated; it is necessary for it to be a body so that it may be color; for I do not anticipate the color so that it may be the body.

“And all the daughters of song shall be humbled” (12:4d). According to all those things assigned to “shall rise to the voice of a sparrow,” I speak of the “humbling” of the “daughters of song.” The false teachers are “daughters” of “song”; they are “daughters” of “voice” alone, not of mind, nor of wisdom, nor of knowledge, nor of light. And because of their unintelligible and because of what has been exposed concerning the “pro kairos,” these “daughters” are spoken of. Therefore these “shall be humbled”; and in the way that darkness is dissolved by the presence of light, so by the presence of “rising to the voice of a sparrow,” or the “marketplace,” or the Savior, or the divine teachers, their nothingness is exposed. It is shown that their teaching had existence only insofar as it lived by the presence of the moment—and so that I may say something much more impoverished than what is often said by some—that “human wisdom,” promising eloquence and a composition of words, has existence up to “voice.” And since this “voice” will pass away, no longer being struck air, when they become above the air, those concerning whom the word is spoken “shall be humbled.” The “daughters of song” are found to be nothing, if the wise teachers were not called “daughters” or “daughters of song,” but rather “sons of light,” “sons of wisdom.” Furthermore, do we have something to say from another scripture appropriately? “Turn away from me the sound of your songs, and the melody of your psalter I shall not hear” (Song of Songs 5:6); their “song” is considered a disturbance. And “song” and “melody” are the same. And even “I will turn,” he says, “their feasts into mourning and their songs into lamentations” (Hosea 7:8); behold, an appropriate “song.” And the. Text cuts off..

Having said, 'Sing to us a hymn from the songs of Zion,' they were mocking. They said, 'Even upon the rivers of Babylon there we sat and wept' (Ps 137:1). 'Having reached Babylon and its unstable currents called rivers, we sat; we no longer desired to depart, taking memory of their own fatherland. This happened by us remembering Zion; we no longer desired to depart before Babylon.'

Then he says, 'Upon the willows in the midst of it we hung our instruments' (Ps 137:2), the musical instruments, the instruments of the new song. And the willows are a plant that is fruitless, deceiving men. They say that if its flower is rubbed into water and drunk, it makes the castrated ones lustful. For this reason the poet said the willows are 'fruitless,' because they castrate the men in a certain way. The instruments, therefore, that is, the bodies, were hanging from the willows, the branches of impurity.

Then they, as if performing a circumcision, were saying, 'Sing to us a hymn from the songs of Zion,' saying 'songs' in the plural more insolently. For one song is that of Zion and one hymn; for it is said, 'O God, I will sing to you a new song' (Ps 96:1), one song. These, therefore, since the discordant one makes many songs, are saying this in a broken way; it is said discordantly, 'Sing to us a hymn from your songs' (Ps 137:3).

Then they, knowing that they are saying the songs in the plural badly, say: 'How shall we sing the song of the Lord in a foreign land?' (Ps 137:4). 'In a foreign land we are yours' (Ps 137:4). So it is a broken song and a thing to be blamed. And if he says, 'with the singing not to be allowed,' it signifies a broken song, a psalm not being properly brought forth.

'And from on high they shall see and be amazed in the way; and the almond shall blossom, and the thorn shall grow thick' (Jer 31:19). If anyone sees from on high, being called high, having a high heart and a high mind, he sees that 'in the ways there are amazements' (Jer 31:19).

Greek

τῆς κρίσεως· προεπινοοῦμεν γὰρ αὐτοὺς ἐγειρομένους, οὐ κρινομένους, κἂν ἅμα γίνηται. ὡς ἔλεγον πολλάκις ὅτι τὸ σῶμα καὶ τὸ χρῶμα ἅμα εἰσίν. οὐκ ἔστιν θάτερον πρὸ θατέρου εἰπεῖν· προεπινοεῖται γὰρ τὸ σῶμα· δεῖ εἶναι σῶμα, ἵν' οὕτω ᾖ χρῶμα· οὐδὲ γὰρ προεπινοῶ τὸ χρῶμα, ἵνα ᾖ τὸ σῶμα. 12,4d καὶ ταπεινωθήσονται πᾶσαι αἱ θυγατέρες τοῦ ᾄσματος. κατὰ πάσας τὰς ἀποδοθείσας εἰς τὸ "ἀναστήσεται εἰς φωνὴν τοῦ στρουθίου" τὴν "ταπείνωσιν" τῶν "θυγα τέρων τοῦ ᾄσματος" λέγω. 354 οἱ ψευδοδιδάσκαλοι "ᾄσματός" εἰσιν "θυγατέρες", "φωνῆς" μόνης εἰσὶν "θυγατέρες", οὐ νοῦ, οὐ σοφίας, οὐκ ἐπιστήμης, οὐ φωτός. καὶ διὰ τὸ καὶ διὰ τὸ ἄναν δρον αὐτῶν καὶ διὰ τὸ ἐκτεθηλυμμένον περὶ τὰ "πρόσ καιρα" ἐχουσῶν "θυγατέρες" εἴρηνται. "ταπεινωθήσονται" οὖν αὗται· οἵῳ δὲ τρόπῳ παρ όντος φωτὸς λύεται τὸ σκότος, οὕτω παρόντος τοῦ "ἀνα στάντος εἰς φωνὴν τοῦ στρουθίου" ἢ τῆς "ἀγορᾶς" ἢ τοῦ ςωτῆρος ἢ τῶν θείων διδασκάλων τὸ μηδὲν οὖσαι ἐλέγχονται. δείκνυται ὅτι ἡ διδασκαλία αὐτῶν μέ χρι τοῦ παρόντος ζῆν τὴν ὕπαρξιν εἶχεν καί–ἵνα μι κρὸν εἴπω πτωχότερον πολλάκις λεγόμενον ὑπό τινων– ὅτι ἡ "ἀνθρωπίνη σοφία" εὐγλωττίαν ἐπαγγελλομένη καὶ σύνθεσιν λέξεων μέχρι "φωνῆς" ἔχει τὴν ὕπαρξιν. ἐπειδὴ δὲ παρελεύσεται ἡ "φωνὴ" αὕτη οὐκέτι κρουο μένου ἀέρος, ὅταν ὑπὲρ τὸν ἀέρα γένωνται, οἱ περὶ ὧν ὁ λόγος "ταπεινοῦνται". τὸ μηδὲν εὑρίσκονται αἱ "θυγα τέρες τοῦ ᾄσματος" οὐκ ἂν λεχθέντων τῶν σοφῶν διδασ κάλων "θυγατέρων" ἢ "ᾄσματος θυγατέρων" ἀλλ' "υἱῶν φωτός", "υἱῶν σοφίας". ἐπερ· ἐξ ἄλλης γραφῆς ἔχομεν εἰπεῖν ψεκτῶς; – "μετάστησον ἀπ' ἐμοῦ ἦχον ᾠδῶν σου καὶ ψαλμὸν ὀρ γάνων σου οὐκ ἀκούσομαι"· ἐνοχλουμένην τὴν "ᾠδὴν" αὐτῶν ἡγεῖται. "ᾠδὴ" δὲ καὶ "ᾆσμα" ταὐτόν ἐστιν. κα̣ι`̣ ἐ´̣τι̣ "μεταστρέψω", φησίν, "τὰς ἑορτὰς αὐτῶν εἰς πένθος καὶ τὰς ᾠδὰς αὐτῶν εἰς θρήνους"· ἰδοὺ ψεκτὸν "ᾆσμα". καὶ οἱ λέγοντες δὲ "ὕμνον ᾄσατε ἡμῖν ἐκ τῶν ᾠδῶν Σιὼν" χλευάζοντες ἔλεγον. ηδε "ἐπὶ τῶν ποταμῶν Βαβυλῶνος ἐκεῖ ἐκαθίσαμεν καὶ ἐκλαύσαμεν"· “φθάσαντες ἐπὶ τὴν "Βαβυλῶνα" καὶ τὰ ἄστατα αὐτῆς ῥεύματα "πο ταμοὺς" καλούμενα "ἐκαθίσαμεν"· οὐκέτι περαιτέρω ἠθε λήσαμεν ἀπελθεῖν μνήμην λαβόντες τῆς πατρίδος ἑαυτῶν. "ἐν τῷ μνησθῆναι ἡμᾶς τῆς Σιὼν" τοῦτο γέγονεν· οὐκέτι προσωτέρω τῆς "Βαβυλῶνος" ἠθελήσαμεν”. εἶτα λέγει· "ἐπὶ ταῖς ἰτέαις ἐν μέσῳ αὐτῆς ἐκρε μάσαμεν τὰ ὄργανα ἡμῶν", τὰ "ὄργανα" τὰ μουσικά, τὰ τοῦ "ᾄσματος" τοῦ "καινοῦ". αἱ "ἰτέαι" δὲ φυτόν ἐστιν ἀκάρπους κατασκευάζον τοὺς ἀνθρώπους. λέγουσιν δὲ ὅτι, ἐὰν τὸ ἄνθος αὐτοῦ ἐκτριβῇ εἰς ὕδωρ καὶ ποθῇ, ἀγό νους ποιεῖ τοὺς πεπωκότας. διὰ τοῦτο ὁ ποιητὴς εἶπεν 355 "ὠλεσικάρπους" τὰς "ἰτέας", ὅτι εὐνουχίζει τρόπον τι νὰ τοὺς πιόντας. τὰ "ὄργανα" οὖν, τουτέστιν τὰ σώματα, ἐξήρτουν τῶν "ἰτεῶν", τῶν κλάδων τῆς ἁγνείας. εἶτ' ἐκεῖνοι ὥσπερ ἐπικερτομοῦντες ἔλεγον· "ὕμνον ᾄσατε ἡμῖν ἐκ τῶν ᾠδῶν Σιών", ὑβριστικώτερον "ᾠδὰς" λέγοντες πληθυντικῶς. μία γὰρ "ᾠδή" ἐστιν ἡ τῆς "Σιὼν" καὶ εἷς "ὕμνος"· λέγεται γὰρ τοῦτο ὅτι "ὁ θεός, ᾠ δὴν καινὴν ᾄσομαί σοι", μίαν "ᾠδήν". οὗτοι οὖν, ἐπεὶ τὸ διάφωνον ποιεῖ πολλὰς "ᾠδάς", ἠρέμα τοῦτο λέγου σιν· διάφωνα λέγεται "ἐκ τῶν ᾠδῶν ὑμῶν ᾄσατε ἡμῖν ὕμ νον". εἶτα ἐκεῖνοι γνόντες ὅτι κακοήθως τὰς "ᾠδὰς" εἶ πον πληθυντικῶς λέγουσιν· "πῶς ᾄσομεν τὴν ᾠδὴν κυρί ου ἐπὶ γῆς ἀλλοτρίας;" “ἐν "γῇ ἀλλοτρίᾳ" ἐσμὲν τῇν ὑμῶν”. ὥστε ἔστιν ψεκτὸν "ᾆσμα" καὶ ἐπαινετόν. καὶ ἐὰν λέγῃ "μετὰ ψαλλούσης μὴ ἐνδελέχιζε", ψε κτὸν "ᾆσμα" σημαίνει, ψαλμὸν οὐκ ὀρθῶς προφερόμενον. 12,5abc καί γε ἀπὸ ὕψους ὄψονται καὶ θάμβοι ἐν τῇ ὁδῷ· καὶ ἀνθήσῃ τὸ ἀμύγδαλον, καὶ παχυνθῇ ἡ ἀκρίς. ̣12,5a ἐάν τις "ἀπὸ τοῦ ὕψους" θεωρήσῃ ὑψηλὸς γε 59 νόμενος, ἄνω τὴν καρδίαν ἔχῃ, ἄνω τὸ φρόνημα, ὁρᾷ ὅτι "ἐν ταῖς ὁδοῖς θάμβοι"

About this text

Didymus the Blind on Ecclesiastes.

Original English Translation — new OET from PG Greek.

Catalogue & scope

Khazarzar scan

Witnesses

  • Copy-text PG (Khazarzar) (Greek)

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