Wealth and Alms

Clement of Alexandria, The Instructor 2

Clement of Alexandria · c. 150–c. 215 AD

It is not the outward appearance of the body that must be adorned, but the soul, with the ornament of goodness and beauty; one might even say that the body should be adorned with the ornament of self-control. But women who beautify the surface while neglecting the depths have forgotten themselves, just as the Egyptians adorn their temples. Those temples have gateways and porticoes, groves and orchards, and their courts are crowned with countless wreaths. Their walls shine with exotic stones and artistic inscriptions that lack nothing; the shrines gleam with gold, silver, and ivory, and sparkle with variegated stones from India and Ethiopia, while their innermost sanctuaries are shaded by golden canopies. Yet if you press into the depths of the precinct, eager to see the greater thing, you will look for the indwelling statue. A priest or some other temple servant, looking solemn, will draw back a corner of the curtain as if to reveal the god, and will show you the ridiculous object of worship. For the god you sought will not be found within — the one you hurried to see — but a cat, or a crocodile, or a native snake, or some such creature, unworthy of the temple yet fit for a dung-heap, a den, or a sewer. The god of the Egyptians appears as a rolling beast on a purple couch.

In the same way, it seems to me, the gold-wearing women — anointing their elaborate hairstyles, painting their faces, dyeing their eyebrows, coloring their hair, and devising every other foolishness — adorn the fleshly enclosure, and by so doing they truly Egyptianize, striving to attract superstitious lovers. But if someone should pull back the veil of the shrine, that is, the hairstyle, the dye, the clothing, the gold, the purple, the ornaments — in short, the whole fabric woven from these things — expecting to find the true beauty within, he will be disgusted, I know well. For he will not find the honorable image of God dwelling inside, but a prostitute and adulteress of the soul has occupied the inner sanctuary. The true beast will be exposed as a monkey smeared with cosmetics, and that treacherous snake, slipping through the human mind by way of ambition, has made the soul its dung-heap. Having filled everything with deadly poisons and poured out the venom of his own deceit, this dragon, the promoter of corruption, has turned the women into harlots — for the love of adornment belongs not to a wife but to a courtesan. These women care little for the household duties that belong to wives, yet they loosen their husbands' purses and divert the household resources toward their own desires, as if they needed many witnesses to attest their beauty. They spend the whole day seated at their toilette, idle, attended by hired servants.

Just as bad food corrupts the flesh, so they devote the entire day to cosmetics, cloistered in their chambers lest they be caught looking sallow. But at evening, like something creeping from a hole, this counterfeit beauty steals toward the lamplight; for drunkenness and the dimness of the light both cooperate in their assault.

Greek

Οὐκ ἄρα ἡ πρόσοψις τοῦ ἐκτὸς ἀνθρώπου, ἀλλὰ ἡ ψυχὴ καλλωπιστέα τῷ τῆς καλοκἀγαθίας κοσμήματι· εἴη δ᾿ ἂν καὶ τὴν σάρκα εἰπεῖν τῷ τῆς ἐγκρατείας κόσμῳ. αἳ δέ, τὴν ἐπιφάνειαν καλλωπιζόμεναι καὶ τὰ βάθη χερσούμεναι, λελήθασι σφᾶς αὐτὰς κατὰ τοὺς Αἰγυπτίων κοσμοῦσαι ναούς· προπύλαια παρ᾿ αὐτοῖς καὶ προτεμενίσματα ἐξήσκηται, ἄλση τε καὶ ὀργάδες, κίοσίν τε παμπόλλοις ἐστεφάνωνται αἱ αὐλαί· τοῖχοι δὲ ἀποστίλβουσι ξενικοῖς λίθοις καὶ γραφῆς ἐντέχνου [οἷς] ἐνδεῖ οὐδὲ ἕν· χρυσῷ δὲ καὶ ἀργύρῳ καὶ ἠλέκτρῳ παραστίλβουσιν οἱ ναοί, καὶ τοῖς ἀπὸ Ἰνδίας καὶ Αἰθιοπίας πεποικιλμένοι μαρμαίρουσι λιθιδίοις, τὰ δὲ ἄδυτα χρυσοπάστοις ἐπισκιάζεται πέπλοις· ἀλλ᾿ ἢν παρεισέλθῃς εἰς τὸ βάθος τοῦ περιβόλου σπεύδων ἐπὶ τὴν θέαν τοῦ κρείττονος, ζητήσεις τὸ ἄγαλμα τὸ ἔνοικον τοῦ νεώ, παστοφόρος δὲ ἤ τις ἄλλος τῶν ἱεροποιούντων περὶ τὸ τέμενος σεμνὸν δεδορκώς, παιᾶνα τῇ Αἰγυπτίων ᾄδων γλώττῃ, ὀλίγον ἐπαναστείλας τοῦ καταπετάσματος, ὡς δείξων τὸν θεόν, πλατὺν ἡμῖν ἐνδίδωσι γέλωτα τοῦ σεβάσματος. οὐ γὰρ θεὸς ὁ ζητούμενος ἔνδον εὑρεθήσεται, ἐφ᾿ ὃν ἐσπεύσαμεν, αἴλουρος δὲ ἢ κροκόδειλος ἢ αὐτόχθων ὄφις ἤ τι τοιοῦτον θηρίον ἀνάξιον μὲν τοῦ νεώ, χηραμοῦ δὲ ἢ φωλεοῦ ἢ βορβόρου ἀντάξιον· ὁ θεὸς Αἰγυπτίων ἐπὶ στρωμνῆς ἁλουργῆς καταφαίνεται κυλιόμενον θηρίον. ταύτῃ μοι δοκοῦσιν αἱ χρυσοφοροῦσαι γυναῖκες, τῶν πλοκάμων τοὺς ἐνουλισμοὺς ἀσκοῦσαι χρίσματά τε παρειῶν καὶ ὑπογραφὰς ὀφθαλμῶν καὶ βαφὰς μετιοῦσαι τριχῶν καὶ τὴν ἄλλην βλακείαν κακομηχανώμεναι, κοσμοῦσαι τὸν περίβολον τὸν σαρκικόν, αἰγυπτιάζουσαι ὡς ἀληθῶς, ἐπισπᾶσθαι τοὺς δεισιδαίμονας ἐραστάς. ἀλλ᾿ ἢν ἀποκαλύψῃ τις τὸ καταπέτασμα τοῦ νεώ, τὸν κεκρύφαλον λέγω, τὴν βαφήν, τὴν ἐσθῆτα, τὸ χρυσίον, τὸ φῦκος, τὰ ἐντρίμματα, τουτέστι τὸ ἐκ τούτων συγκείμενον ὕφος, [τὸ καταπέτασμα,] ὡς ἔνδον εὑρήσων τὸ κάλλος τὸ ἀληθινόν, μυσάξεται, εὖ οἶδ᾿ ἐγώ. οὐ γὰρ τὴν εἰκόνα τοῦ θεοῦ κατοικοῦσαν ἔνδον εὑρήσει τὴν ἀξιόλογον, πόρνη δὲ ἀντ᾿ αὐτῆς καὶ μοιχαλὶς τῆς ψυχῆς κατείληφε τὸ ἄδυτον, τό τε ἀληθινὸν θηρίον ἐλεγχθήσεται ψιμυθίῳ πίθηκος ἐντετριμμμένος, καὶ ὁ παλίμβολος ὄφις ἐκεῖνος διαβιβρώσκων τὸ νοερὸν τῆς ἀνθρώπου διὰ τῆς φιλοδοξίας χηραμὸν ἔχει τὴν ψυχήν· πάντα φαρμάκων ὀλεθρίων ἐμπλήσας καὶ τὸν ἑαυτοῦ τῆς πλάνης ἐνερευξάμενος ἰὸν μετεσκεύασεν τὰς γυναῖκας εἰς πόρνας ὁ προαγωγὸς οὗτος δράκων (οὐ γὰρ γυναικός, ἀλλ᾿ ἑταίρας τὸ φιλόκοσμον)· αἳ τῆς παρὰ μὲν τοῖς ἀνδράσιν οἰκουρίας ὀλίγα φροντίζουσιν, λύσασαι δὲ τἀνδρὸς τὸ βαλλάντιον ἐκτρέπουσι τὰς χορηγίας εἰς ἐπιθυμίας, ὡς πολλοὺς ἔχοιεν τοῦ καλαὶ δοκεῖν εἶναι μάρτυρας, καὶ τὴν πᾶσαν ἡμέραν κομμωτικῇ προσκαθεζόμεναι ἀργυρωνήτοις σχολάζουσιν ἀνδραπόδοις. καθάπερ οὖν ὄψον πονηρὸν ἡδύνουσι τὴν σάρκα καὶ τὴν μὲν ἡμέραν κομμωτικῇ προστετήκασι θαλαμευόμεναι, μὴ ἐλεγχθῶσιν ξανθιζόμεναι, ἑσπέρας δὲ καθάπερ ἐκ φωλεοῦ πρὸς τὸν λύχνον τὸ νόθον τοῦτο προσέρπει κάλλος· συνεργεῖ γὰρ καὶ ἡ μέθη καὶ τὸ ἀμυδρὸν τοῦ φωτὸς πρὸς τὴν ἐπίθεσιν αὐτῶν.

← Wealth and Alms