Clement of Alexandria, The Instructor 2
It is not the outward appearance of the outer person that matters, but the soul that must be adorned with the ornament of noble virtue; one might even say the body is to be adorned with the ornament of self-control. Yet those women who adorn the surface while neglecting the depths have forgotten themselves, precisely as the Egyptians adorn their temples. The Egyptians equip their shrines with grand gateways and columned porticoes, groves and gardens; their courts are wreathed with garlands, their walls gleam with imported stones and elaborate carvings that lack nothing in craftsmanship. Gold, silver, and electrum make the temples flash, and they glitter with variegated gems from India and Ethiopia, while the innermost sanctuaries are shaded by golden tapestries. But if you press into the depths of the precinct, eager to behold what is superior, you will look for the indwelling statue; a priest or some other temple attendant, wearing a solemn face, chants a hymn in the Egyptian tongue, lifts the curtain a little as if to reveal the god, and grants us a broad laugh at the object of reverence. For the god sought will not be found within—the goal of our haste—but a cat, or a crocodile, or a native snake, or some such beast, unworthy of the temple yet worthy of a dung-heap, a den, or the mud. The god of the Egyptians appears as a rolling beast on a purple cushion.
In just this way, it seems to me, the gold-wearing women—braiding their hair, painting their faces, lining their eyes, dyeing their locks, and devising every other folly—adorn the fleshly enclosure and, in effect, truly Egyptianize, seeking to attract superstitious lovers. But if someone should strip away the veil of the shrine—I mean the hair, the dye, the clothing, the gold, the purple, the cosmetics, in short the whole fabric woven from these things—expecting to find true beauty inside, he will be bitterly disappointed, I know well. He will not find the honored image of God dwelling within; instead a prostitute and adulteress of the soul has seized the inner sanctum. The real beast will be exposed, whitewashed like a trained monkey, and that treacherous serpent, threading through the human mind by way of vain ambition, makes the soul its lair. Having stuffed everything with deadly poisons and injected the venom of his own deceit, this dragon, the ringleader of corruption, has turned the women into harlots—for it is not a wife's love but a courtesan's love of adornment that drives them. These women care little for the household management owed to their husbands; they loosen their husbands' purse-strings and divert the household income into lusts, as if they needed many witnesses to their beauty. They spend the whole day planted at the dressing-table, attended by silver-adorned slaves.
Just as a bad dish corrupts the flesh, so they devote the day to the dressing-table, hiding away so they will not be caught turning pale. But at evening, like a counterfeit beauty, this sham creeps from its hole toward the lamp; for drunkenness and the dim light both cooperate with their assault.
Greek
Οὐκ ἄρα ἡ πρόσοψις τοῦ ἐκτὸς ἀνθρώπου, ἀλλὰ ἡ ψυχὴ καλλωπιστέα τῷ τῆς καλοκἀγαθίας κοσμήματι· εἴη δ᾿ ἂν καὶ τὴν σάρκα εἰπεῖν τῷ τῆς ἐγκρατείας κόσμῳ. αἳ δέ, τὴν ἐπιφάνειαν καλλωπιζόμεναι καὶ τὰ βάθη χερσούμεναι, λελήθασι σφᾶς αὐτὰς κατὰ τοὺς Αἰγυπτίων κοσμοῦσαι ναούς· προπύλαια παρ᾿ αὐτοῖς καὶ προτεμενίσματα ἐξήσκηται, ἄλση τε καὶ ὀργάδες, κίοσίν τε παμπόλλοις ἐστεφάνωνται αἱ αὐλαί· τοῖχοι δὲ ἀποστίλβουσι ξενικοῖς λίθοις καὶ γραφῆς ἐντέχνου [οἷς] ἐνδεῖ οὐδὲ ἕν· χρυσῷ δὲ καὶ ἀργύρῳ καὶ ἠλέκτρῳ παραστίλβουσιν οἱ ναοί, καὶ τοῖς ἀπὸ Ἰνδίας καὶ Αἰθιοπίας πεποικιλμένοι μαρμαίρουσι λιθιδίοις, τὰ δὲ ἄδυτα χρυσοπάστοις ἐπισκιάζεται πέπλοις· ἀλλ᾿ ἢν παρεισέλθῃς εἰς τὸ βάθος τοῦ περιβόλου σπεύδων ἐπὶ τὴν θέαν τοῦ κρείττονος, ζητήσεις τὸ ἄγαλμα τὸ ἔνοικον τοῦ νεώ, παστοφόρος δὲ ἤ τις ἄλλος τῶν ἱεροποιούντων περὶ τὸ τέμενος σεμνὸν δεδορκώς, παιᾶνα τῇ Αἰγυπτίων ᾄδων γλώττῃ, ὀλίγον ἐπαναστείλας τοῦ καταπετάσματος, ὡς δείξων τὸν θεόν, πλατὺν ἡμῖν ἐνδίδωσι γέλωτα τοῦ σεβάσματος. οὐ γὰρ θεὸς ὁ ζητούμενος ἔνδον εὑρεθήσεται, ἐφ᾿ ὃν ἐσπεύσαμεν, αἴλουρος δὲ ἢ κροκόδειλος ἢ αὐτόχθων ὄφις ἤ τι τοιοῦτον θηρίον ἀνάξιον μὲν τοῦ νεώ, χηραμοῦ δὲ ἢ φωλεοῦ ἢ βορβόρου ἀντάξιον· ὁ θεὸς Αἰγυπτίων ἐπὶ στρωμνῆς ἁλουργῆς καταφαίνεται κυλιόμενον θηρίον. ταύτῃ μοι δοκοῦσιν αἱ χρυσοφοροῦσαι γυναῖκες, τῶν πλοκάμων τοὺς ἐνουλισμοὺς ἀσκοῦσαι χρίσματά τε παρειῶν καὶ ὑπογραφὰς ὀφθαλμῶν καὶ βαφὰς μετιοῦσαι τριχῶν καὶ τὴν ἄλλην βλακείαν κακομηχανώμεναι, κοσμοῦσαι τὸν περίβολον τὸν σαρκικόν, αἰγυπτιάζουσαι ὡς ἀληθῶς, ἐπισπᾶσθαι τοὺς δεισιδαίμονας ἐραστάς. ἀλλ᾿ ἢν ἀποκαλύψῃ τις τὸ καταπέτασμα τοῦ νεώ, τὸν κεκρύφαλον λέγω, τὴν βαφήν, τὴν ἐσθῆτα, τὸ χρυσίον, τὸ φῦκος, τὰ ἐντρίμματα, τουτέστι τὸ ἐκ τούτων συγκείμενον ὕφος, [τὸ καταπέτασμα,] ὡς ἔνδον εὑρήσων τὸ κάλλος τὸ ἀληθινόν, μυσάξεται, εὖ οἶδ᾿ ἐγώ. οὐ γὰρ τὴν εἰκόνα τοῦ θεοῦ κατοικοῦσαν ἔνδον εὑρήσει τὴν ἀξιόλογον, πόρνη δὲ ἀντ᾿ αὐτῆς καὶ μοιχαλὶς τῆς ψυχῆς κατείληφε τὸ ἄδυτον, τό τε ἀληθινὸν θηρίον ἐλεγχθήσεται ψιμυθίῳ πίθηκος ἐντετριμμμένος, καὶ ὁ παλίμβολος ὄφις ἐκεῖνος διαβιβρώσκων τὸ νοερὸν τῆς ἀνθρώπου διὰ τῆς φιλοδοξίας χηραμὸν ἔχει τὴν ψυχήν· πάντα φαρμάκων ὀλεθρίων ἐμπλήσας καὶ τὸν ἑαυτοῦ τῆς πλάνης ἐνερευξάμενος ἰὸν μετεσκεύασεν τὰς γυναῖκας εἰς πόρνας ὁ προαγωγὸς οὗτος δράκων (οὐ γὰρ γυναικός, ἀλλ᾿ ἑταίρας τὸ φιλόκοσμον)· αἳ τῆς παρὰ μὲν τοῖς ἀνδράσιν οἰκουρίας ὀλίγα φροντίζουσιν, λύσασαι δὲ τἀνδρὸς τὸ βαλλάντιον ἐκτρέπουσι τὰς χορηγίας εἰς ἐπιθυμίας, ὡς πολλοὺς ἔχοιεν τοῦ καλαὶ δοκεῖν εἶναι μάρτυρας, καὶ τὴν πᾶσαν ἡμέραν κομμωτικῇ προσκαθεζόμεναι ἀργυρωνήτοις σχολάζουσιν ἀνδραπόδοις. καθάπερ οὖν ὄψον πονηρὸν ἡδύνουσι τὴν σάρκα καὶ τὴν μὲν ἡμέραν κομμωτικῇ προστετήκασι θαλαμευόμεναι, μὴ ἐλεγχθῶσιν ξανθιζόμεναι, ἑσπέρας δὲ καθάπερ ἐκ φωλεοῦ πρὸς τὸν λύχνον τὸ νόθον τοῦτο προσέρπει κάλλος· συνεργεῖ γὰρ καὶ ἡ μέθη καὶ τὸ ἀμυδρὸν τοῦ φωτὸς πρὸς τὴν ἐπίθεσιν αὐτῶν.