Athenagoras, Plea for the Christians 15
But let the accusers remain as they are. What then? Since the many cannot distinguish what is matter, what is God, or how much lies between them, they approach idols made of matter. Shall we, who distinguish and separate the uncreated from the created, true being from non-being, the intelligible from the sensible, and assign to each its proper name, also approach and worship statues? If matter and God are identical—two names for one thing—then by refusing to regard stones, wood, gold, and silver as gods we are impious. But if they stand far apart, as far as a craftsman stands from the preparation for his craft, what are we accused of? Just as the potter is the craftsman and the clay is the matter, so God is the Creator and matter obeys Him for the craft. Yet just as clay by itself cannot become vessels without craft, so the all-receiving matter, without the Creator God, did not receive distinction, shape, and order. We do not value the clay above the potter who worked it, nor the cups and golden ornaments above the smith who molded them; rather, if we praise the craftsman for the skill shown in them, he is the one who receives the glory for what appears on the vessels. Likewise, concerning the matter and the arrangement of adorned things, the matter does not possess the due glory and honor, but the Creator God does. Therefore, if we treated the forms of matter as gods, we would appear ignorant of the true God's glory, equating perishable, corruptible things with the eternal.
Greek
Ἀλλ᾿ ἔστωσαν τοὺς αὐτοὺς ἄγοντες. Τί οὖν; Ἐπεὶ οἱ πολλοί, διακρῖναι οὐ δυνάμενοι τί μὲν ὕλη τί δὲ θεὸς πόσον δὲ τὸ διὰ μέσου αὐτῶν, προσίασι τοῖς ἀπὸ τῆς ὕλης εἰδώλοις, δι᾿ ἐκείνους καὶ ἡμεῖς, οἱ διακρίνοντες καὶ χωρίζοντες τὸ ἀγένητον καὶ τὸ γενητόν, τὸ ὂν καὶ τὸ οὐκ ὄν, τὸ νοητὸν καὶ τὸ αἰσθητόν, καὶ ἑκάστῳ αὐτῶν τὸ προσῆκον ὄνομα ἀποδιδόντες, προσελευσόμεθα καὶ προσκυνήσομεν τὰ ἀγάλματα; Εἰ μὲν γὰρ ταὐτὸν ὕλη καὶ θεός, δύο ὀνόματα καθ᾿ ἑνὸς πράγματος, τοὺς λίθους καὶ τὰ ξύλα, τὸν χρυσὸν καὶ τὸν ἄργυρον οὐ νομίζοντες θεούς, ἀσεβοῦμεν. Εἰ δὲ διεστᾶσι πάμπολυ ἀπ᾿ ἀλλήλων, καὶ τοσοῦτον ὅσον τεχνίτης καὶ ἡ πρὸς τὴν τέχνην αὐτοῦ παρασκευή, τί ἐγκαλούμεθα; Ὡς γὰρ ὁ κεραμεὺς καὶ ὁ πηλός (ὕλη μὲν ὁ πηλός, τεχνίτης δὲ ὁ κεραμεύς), καὶ ὁ θεὸς δημιουργός, ὑπακούουσα δὲ αὐτῷ ἡ ὕλη πρὸς τὴν τέχνην. Ἀλλ᾿ ὡς ὁ πηλὸς καθ᾿ ἑαυτὸν σκεύη γενέσθαι χωρὶς τέχνης ἀδύνατος, καὶ ἡ πανδεχὴς ὕλη ἄνευ τοῦ θεοῦ τοῦ δημιουργοῦ διάκρισιν καὶ σχῆμα καὶ κόσμον οὐκ ἐλάμβανεν. Ὡς δὲ οὐ τὸν κέραμον προτιμότερον τοῦ ἐργασαμένου αὐτὸν ἔχομεν οὐδὲ τὰς φιάλας καὶ χρυσίδας τοῦ χαλκεύσαντος, ἀλλ᾿ εἴ τι περὶ ἐκείνας δεξιὸν κατὰ τὴν τέχνην τὸν τεχνίτην ἐπαινοῦμεν, καὶ οὗτός ἐστιν ὁ τὴν ἐπὶ τοῖς σκεύεσι δόξαν καρπούμενος, καὶ ἐπὶ τῆς ὕλης καὶ τοῦ θεοῦ τῆς διαθέσεως τῶν κεκοσμημένων οὐχ ὕλη τὴν δόξαν καὶ τὴν τιμὴν δικαίαν ἔχει ἀλλ᾿ ὁ δημιουργὸς αὐτῆς θεός. Ὥστε, εἰ τὰ εἴδη τῆς ὕλης ἄγοιμεν θεούς, ἀναισθητεῖν τοῦ ὄντος θεοῦ δόξομεν, τὰ λυτὰ καὶ φθαρτὰ τῷ ἀϊδίῳ ἐξισοῦντες.